Christ at the column, polychrome poplar wood, North Italy, 17th century

Period: 1600

€ 12.500

Lot Details

Description

Wooden sculpture depicting Christ at the Column. The poignant expression of the composition, along with the refined execution of the extremities and face, links this sculpture to the Northern Italian school. At this stage of study, it is difficult to attribute it to a specific master; doing so would be presumptive. The work is believed to have been created around the second half of the 17th century.

Dimensions

HxLxD 26,38in x 10,63in x 13,58in

Provenance

Private Collection

Conditions

Defects, missing parts and restorations.

Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each product to satisfy themselves as to condition and must understand that any statement made by Coradi Rare Finds is merely a subjective opinion.

The image or sculpture of Christ at the Column (also called Christ at the Pillar) represents Jesus Christ during his Passion, specifically at the moment of his flagellation or scourging. This imagery has been a recurring theme in Christian art and history, symbolizing Christ's suffering and sacrifice for humanity.

Origins and Development:

Biblical Basis:

The event is described in the Gospels (e.g., Matthew 27:26, Mark 15:15, John 19:1), where Jesus is flogged by Roman soldiers after being condemned by Pontius Pilate.

The "column" refers to the place where Jesus was bound during his scourging.

Early Depictions:

The earliest artistic representations appeared in the 4th and 5th centuries, often in Roman catacombs or early Christian mosaics.

Initially, these depictions were more symbolic than realistic, emphasizing Christ's divinity over his suffering.

Medieval Art:

By the Middle Ages, depictions of Christ at the Column became more detailed and emotional, reflecting a growing focus on Christ's humanity and physical suffering.

This theme was especially prominent in Gothic and Romanesque art, often carved into cathedral facades or painted in altarpieces.

Renaissance and Baroque Interpretations:

Artists like Donatello and Caravaggio created powerful renditions, emphasizing realism, dramatic lighting, and emotional intensity.

Donatello’s Christ at the Column (15th century) is one of the most famous sculptures of this theme, showcasing the physical torment of Christ with exquisite detail.

Baroque Interpretations - Baroque sculptors like Gian Lorenzo Bernini have sometimes influenced depictions of this scene, emphasizing dramatic emotions and intricate details.

Spanish Sculptures - In Spanish Catholic art, especially in the Baroque period, such sculptures often featured realistic polychrome wood carvings with striking emotional intensity, intended for religious processions.

Liturgical Significance:

The imagery was central to Christian meditation and devotion, particularly during Lent and Holy Week.

It became a visual aid for believers to contemplate the Passion of Christ.

Symbolism:

The Column: Represents the place of Christ's trial and suffering.

The Scourging: Symbolizes the injustices borne by Jesus for humanity's sins.

The Figure of Christ: Often depicted as humble and resigned, reflecting themes of obedience and sacrifice.