Mariotto Albertinelli follower of
Florence 1474 – Florence 1515
The Virgin with Child and the infant Saint John the Baptist
Olio on canvas
in 28,74x21,26
The painting depicts the Madonna, the Child, and Saint John the Baptist. The numerous and finely detailed elements are all of symbolic value, such as the open pomegranate, symbolizing the fullness of Jesus, His suffering, and resurrection. The composition of the work is balanced and symmetrical, with the figure of the Virgin Mary at the center, holding the infant Jesus in her lap. The use of color is another interesting aspect of this painting. The soft and warm tones of the Virgin's and the child's skin contrast with the vibrant colors of the background, made up of a blend of green, red, and golden hues. These intense colors create a sense of depth and richness in the work.
in 28,74x21,26
Private collection
Imperfections and restorations.
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Albertinelli Mariotto - Florence 1474, Florence 1515; was an Italian painter from Florence, known for his association with the High Renaissance and his collaboration with the renowned artist Fra Bartolomeo. Albertinelli's style evolved from early influences of the Gothic tradition to a more naturalistic approach inspired by the work of Leonardo da Vinci and Raphael.
Early Life and Training
Albertinelli was born in Florence and was likely trained by the painter Cosimo Rosselli, though his close association with Fra Bartolomeo greatly influenced his career. He was part of the circle of artists in Florence that were keen on adopting the new Renaissance ideals of clarity, balance, and perspective. His early works were more in line with the traditional Florentine style of the time, featuring detailed and intricate figures, but over time, he absorbed more progressive techniques.
Collaboration with Fra Bartolomeo
Albertinelli and Fra Bartolomeo had a strong working relationship. Their partnership resulted in several major commissions, and Albertinelli worked as Fra Bartolomeo's assistant, contributing to projects such as the San Salvi Altarpiece. However, Albertinelli eventually developed his own style, though he continued to incorporate Fra Bartolomeo’s influence into his work.
Artistic Style
Albertinelli’s art reflects the transitional period between the Late Gothic and the early High Renaissance. His early works are characterized by intricate detail and a sense of spiritual solemnity, influenced by the gothic tradition. However, his later works demonstrate a shift towards a more harmonious and naturalistic style, in line with the ideals of the Renaissance.
His paintings often feature figures with a sense of balance and serenity, displaying careful use of perspective and light. He was known for his skillful use of color and his attention to emotional expression in the figures he portrayed. Albertinelli’s compositions, particularly in his religious scenes, often show an emphasis on clarity and grace. His work became less rigid and more fluid, moving away from the highly stylized figures typical of earlier periods.
Major Works
Some of his most important works include:
The Virgin and Child with Saints (1509): A well-known altarpiece that demonstrates his skill in composition and use of color.
The Visitation (1510): A powerful representation of the Virgin Mary and Saint Elizabeth, showcasing his ability to capture intimate moments and emotional depth.
The Holy Family with Saint John the Baptist: This work reflects his mastery of harmonious compositions and graceful figures.
Legacy
Though Mariotto Albertinelli’s fame did not reach the same heights as that of some of his contemporaries, his contributions to the Renaissance are significant. He was an important figure in the development of Florentine painting during the High Renaissance, and his works continue to be appreciated for their technical skill, emotional resonance, and careful attention to detail.