Hendrick Mommers attr.
Haarlem January 2 1620 – Amsterdam December 21 1693
Pastoral scene
Olio on canvas
in 31,50x42,13
An expansive landscape with sheep, goats, and oxen, overseen by a family of shepherds.
in 31,50x42,13
Private collection
1969 Turin, Exhibition Catalogue "Dutch, Flemish, and German Animalists of the 17th Century", Giorgio Carretto Gallery
Imperfections and restorations.
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Mommers Hendrick - Haarlem January 2 1620, Amsterdam December 21 1693; was a Dutch Golden Age painter from Haarlem, primarily known for his landscapes. He was a relatively minor but interesting figure in the Haarlem art scene of the 17th century. Mommers was likely born in Haarlem, which was a hub for Dutch Baroque painting during this period, and he is often associated with the local landscape tradition. His works are notable for their tranquil, atmospheric qualities, typical of many Haarlem landscape painters.
Style
Mommers’ style reflects the broader tendencies of Dutch landscape painting at the time, including the influence of artists like Jacob van Ruisdael and Pieter de Molijn. His works typically depicted natural settings, with a focus on peaceful, rural scenes. He often painted scenes with expansive skies, lush green meadows, and detailed depictions of trees, water, and rustic buildings. These landscapes were not only a reflection of the Dutch countryside but also often had symbolic meanings, relating to themes of tranquility, the passage of time, and man's relationship with nature.
One distinctive aspect of Mommers' work is his careful attention to light and atmospheric effects, which imbue his paintings with a sense of calmness. His palette often consisted of muted, earthy tones, further enhancing the serene atmosphere of his scenes.
History
Not much is known about Mommers' early life or training, but it is believed that he studied under some of the more established Haarlem artists of his time, and likely had connections with the local art guilds. He is thought to have lived and worked mainly in Haarlem, where he was active as a member of the local painters' guild. While not as famous as some of his contemporaries, his works found an audience in the flourishing art market of the Netherlands, which was particularly keen on landscape paintings during the Dutch Golden Age.
Though Mommers may not have gained the same level of recognition as painters like Ruisdael or Molijn, his works remain valuable for understanding the development of Dutch landscape painting and the specific contributions of Haarlem artists to this genre. His paintings offer a window into the idyllic, harmonious landscapes that were appreciated by both contemporary viewers and later generations.