Made of ebonized wood with inlays of engraved bone and mother-of-pearl, this piece of furniture features an architectural-style front divided into three sections, marked by four pilasters decorated with vegetal motifs and centered with circular molded medallions. In the center, the main part is wider and includes a door that conceals a vaulted open space, topped with two small drawers. The front of the door is decorated with a medallion depicting Venus, Mars, and Eros, framed by a cartouche with leaves and scrolls, mounted on a pedestal enriched with floral motifs, enclosed within a curved frame with a background decorated with leafy scrolls. The door is flanked both above and below by two drawers engraved with central mask motifs.
The side sections each feature a central door decorated with an engraved medallion depicting an allegory of Painting, framed by scrolling motifs enhanced with tassels, all enclosed within a curved frame on a ground of vine-like decoration. Above and below each door are small drawers, also decorated with masks and vegetal motifs. The sides of the piece are adorned with circular medallions set in inlaid curved reserves.
The piece is topped with a molded canopy in a shaped form, crowned with pinnacles in the shape of vases. It rests on a shaped base with a central drawer flanked by two side drawers, separated by cubic elements from which turned legs emerge, connected by shaped crossbars adorned with pinnacles at the intersections. The shaped apron recalls the form of drapery with tassels. The entire surface is richly decorated with inlays similar to those of the upper chest.
70,28in x 25in h:90,55in
Private collection
Defects. Restorations.
Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers must understand that any statement made by Coradi Rare Finds is merely a subjective opinion.
Pogliani Ferdinando - Milano 1832, Milano 1899; was a renowned Italian ebanist whose exceptional craftsmanship and artistic vision earned him a significant place in the history of decorative arts. Based in Milan during the second half of the 19th century, Pogliani is celebrated for his exquisite furniture pieces, which combined traditional woodworking techniques with innovative artistic elements, creating masterpieces that epitomized luxury and elegance.
Early Life and Training
Born in Milan, Pogliani trained in a city renowned for its rich artistic and artisanal heritage. From a young age, he was immersed in the world of fine furniture-making, learning the skills of marquetry, inlay, and intricate carving. These skills would become the hallmarks of his work, setting him apart as a master of his craft.
Signature Style
Pogliani’s work is characterized by a sophisticated blend of styles, including Renaissance Revival, Baroque, and Neoclassical influences. His furniture pieces often featured intricate inlays, typically using a variety of woods, ivory, mother-of-pearl, and metals. The designs were elaborate yet harmonious, showcasing Pogliani’s ability to balance opulence with refined aesthetics.
One of his most distinctive techniques was his use of "intarsia," or pictorial marquetry, where he incorporated detailed scenes into furniture surfaces. These depictions often included allegorical, historical, or mythological themes, adding layers of narrative and symbolism to his creations.
Masterpieces and Recognition
Pogliani’s work was highly sought after by European aristocracy and the upper bourgeoisie, who valued his ability to craft furniture that was not only functional but also a work of art. His cabinets, desks, and console tables were often commissioned as statement pieces for luxurious interiors.
Among his most celebrated works are his writing desks and cabinets, which demonstrate an extraordinary level of detail and craftsmanship. Many of these pieces are now preserved in museums and private collections, attesting to their enduring value and artistry.
Pogliani exhibited his work at various international expositions, including the Exposition Universelle in Paris, where his creations received widespread acclaim. These exhibitions helped to solidify his reputation as one of the preeminent ebanists of his era.
Legacy
Ferdinando Pogliani’s influence extended beyond his lifetime, leaving an indelible mark on the field of cabinetmaking. His dedication to the art of furniture design inspired subsequent generations of artisans and continues to be celebrated by collectors and historians.
Today, Pogliani’s furniture is regarded as a testament to the high level of craftsmanship and artistic sophistication that characterized 19th-century Italian decorative arts. His creations are not only prized for their aesthetic appeal but also for the skill and vision they represent, making him a pivotal figure in the history of European ebanisteria.